Censorship: Paypal goes after Smashwords and look who is behind it...

What is going on in America? 
If you write books this will upset you. 
If you read books this will upset you.
Censorship by finacial institutes...what? 


That's right, the banks are attempting to censor what we can write or read. I woke up this morning, Saturday March 3, to find this email. It's from Mark Coker at Smashwords.  


The rhetoric in this country over the last few years reminds me of the same dialog we hear from fundamentalist Muslim countries in the middle east. I feel like we've gone insane. This has to be stopped; read on... 


____________________________________________________
Saturday March 3, 2012:
In case you haven't heard, about two weeks ago, PayPal contacted Smashwords and gave us a surprise ultimatum:  Remove all titles containing bestiality, rape
or incest, otherwise they threatened to deactivate our PayPal account.  We engaged them in discussions and on Monday they gave us a temporary reprieve as we continue to work in good faith to find a suitable solution.

PayPal tells us that their crackdown is necessary so that they can remain in
compliance with the requirements of the banks and credit card associations (likely
Visa, MasterCard, Discover, American Express, though they didn't mention them
by name).

Last Friday, I sent the following email to our erotica authors and publishers:
https://www.smashwords.com/press/release/27   Then on Monday, I issued an update, and announced we would delay enforcement of PayPal's guidelines so we and PayPal could continue our discussions:  https://www.smashwords.com/press/release/28

THE PROBLEM:

PayPal is asking us to censor legal fiction.  Regardless of how one views topics
of rape, bestiality and incest, these topics are pervasive in mainstream fiction.
We believe this crackdown is really targeting erotica writers.  This is unfair,
and it marks a slippery slope.  We don't want credit card companies or financial
institutions telling our authors what they can write and what readers can read.
Fiction is fantasy.  It's not real.  It's legal.


THE SOLUTION:

There's no easy solution.  Legally, PayPal and the credit card companies probably
have the right to decide how their services are used. Unfortunately, since they're
the moneyrunners, they control the oxygen that feeds digital commerce.

Many Smashwords authors have suggested we find a different payment processor.
That's not a good long term solution, because if credit card companies are behind
this, they'll eventually force crackdowns elsewhere.  PayPal works well for us.
In addition to running all credit card processing at the Smashwords.com store,
PayPal is how we pay all our authors outside the U.S.  My conversations with
PayPal are ongoing and have been productive, yet I have no illusion that the
road ahead will be simple, or that the outcome will be favorable.


BUILDING A COALITION OF SUPPORT:

Independent advocacy groups are considering taking on the PayPal censorship case.
I'm supporting the development of this loose-knit coalition of like-minded groups
who believe that censorship of legal fiction should not be allowed. We will grow
the coalition. Each group will have its own voice and tactics  I'm working with
them because we share a common cause to protect books from censorship.  Earlier
today I had conversations with the Electronic Frontier Foundation (EFF), The
American Booksellers Foundation for Free Expression (ABFFE) and the National
Coalition Against Censorship (NCAC).  I briefed them on the Smashwords/PayPal
situation, explained the adverse affect this crackdown will have on some of our
authors and customers, and shared my intention to continue working with PayPal
in a positive manner to move the discussion forward.

The EFF blogged about the issue a few days ago:  https://www.eff.org/deeplinks/2012/02/legal-censorship-paypal-makes-habit-deciding-what-users-can-read
Today, ABFFE and NCAC issued a press release:  http://www.scribd.com/doc/83549049/NCAC-ABFFE-Letter-To-PayPal-eBay-re-Ebook-Refusal-2012

I will not be on the streets with torch in hand calling for PayPal's head, but
I will encourage interested parties to get involved and speak their piece.  This
is where you come in...


HOW YOU CAN HELP:

Although erotica authors are being targeted, this is an issue that should concern
all indie authors. It affects indies disproportionately because indies are the
ones pushing the boundaries of fiction. Indies are the ones out there publishing
without the (fading) protective patina of a "traditional publisher" to lend them
legitimacy. We indies only have each other.

Several Smashwords authors have contacted me to stress that this censorship affects women disproportionately.  Women write a lot of the erotica, and they're also the primary consumers of erotica.  They're also the primary consumers of mainstream romance, which could also come under threat if PayPal and the credit card companies were to overly enforce their too-broad and too-nebulous obsenity clauses (I think this is unlikely, but at the same time, why would dubious consent be okay in mainstream romance but not okay in erotica? If your write paranormal, can your were-creatures not get it on with one another, or is that bestiality?  The insanity
needs to stop here. These are not questions an author, publisher or distributor
of legal fiction should have to answer.).

All writers and their readers should stand up and voice their opposition to financial
services companies censoring books.  Authors should have the freedom to publish
legal fiction, and readers should have the freedom to read what they want.

These corporations need to hear from you.  Pick up the phone and call them.
Email them.  Start petitions.  Sign petitions.  Blog your opposition to censorship.
Encourage your readers to do the same.  Pass the word among your social networks.
Contact your favorite bloggers and encourage them to follow this story.  Contact
your local newspaper and offer to let them interview you so they can hear a local
author's perspective on this story of international significance. If you have
connections to mainstream media, encourage them to pick up on the story.  Encourage them to call the credit card companies and pose this simple question, "PayPal says they're trying to enforce the policies of credit card companies.  Why are you censoring legal fiction?"

Below are links to the companies waiting to hear from you. Click the link and
you'll find their phone numbers, executive names and postal mailing addresses.
Be polite, respectful and professional, and encourage your friends and followers
to do the same.  Let them know you want them out of the business of censoring
legal fiction.

Tell the credit card companies you want them to give PayPal permission to sell
your ebooks without censorship or discrimination.  Let them know that PayPal's
policies are out of step with the major online ebook retailers who already accept
your books as they are.  Address your calls, emails (if you can find the email)
and paper letters (yes paper!) to the executives.  Post open letters to them
on your blog, then tweet and Facebook hyperlinks to your letters.  Force the
credit card companies to join the discussion about censorship.  And yes, express
your feelings and opinions to PayPal as well.  Don't scream at them.  Ask them
to work on your behalf to protect you and your readers from censorship.  Tell
them how their proposed censorship will harm you and your fellow writers.

Visa:
http://finance.yahoo.com/q/pr?s=V+Profile

American Express:
http://finance.yahoo.com/q/pr?s=AXP+Profile

MasterCard:
http://finance.yahoo.com/q/pr?s=MA+Profile

Discover:
http://finance.yahoo.com/q/pr?s=DFS+Profile

Ebay (owns PayPal):  
http://finance.yahoo.com/q/pr?s=ebay+Profile

Mark Coker
Founder
Smashwords
http://smashwords.com
blog:  http://blog.smashwords.com
twitter:  http://twitter.com/markcoker
_________________________________________________


Norm Applegate author of:


Into the Basement


Shockwave

Norm Applegate interview for Sleepytown Press Newsletter

This interview is in the February Issue of Sleepytown Press

Email Address: Sleepytownpress@yahoo.com

An Interview with Norm Applegate. 
What would you like people to know most about you?

I am the ex-drummer for the Who. Also in my younger years was a stand in for Sean Connery. Okay, I lied... but I want this interview to be really exciting. Hahahahaha...The truth, the older I get the more confused I am about life.

Tell us your latest news?

Just had a grand-daughter born into the family in February; Aubree Lynn Hussey. Can’t believe how I felt after just holding her for a minute, priceless.

Writing news: finishing a sequel to Shockwave, a thriller. Not sure what to call it, maybe “Kill a President,” or “Slices of Violence.” It should by out by May on Amazon. It’s a continuation of my character Jack Dwyer, he’s kind of a Lee Child hero. The title gives it away, a sniper is poised to kill the President with a .50 caliber Barrett rifle, which is a serious weapon by the way.

When and why did you begin writing?

I think a lot of people want to write a book and I was no different. It started when I was traveling through Australia and New Zealand as a hypnotist. This was before the days of email. I wrote a letter to my wife every few days sharing my experiences with her and to keep her close. That made me realized I could do it. Into the Basement was my first novel and now I try to get one novel out per year.

What do you feel are your “three” best writing tips?

Okay don’t tell anyone but these are the tips that have been handed down in secret ceremonies; 1). Develop an outline so you know where you are going.
2). Write the novel before editing.
3). Hire an editor...

If you had to choose, which writer would you consider a mentor?

I do have a mentor; David Hagberg. He writes CIA terrorist novels. He has written over 80 books and his advice is spot on. The Cabal is an excellent example of how to write a novel.

What book are you reading now?

Kind of go through spurts of different genre’s. Just finished “Top Secret America,” by Dana Priest, real scary stuff about what we’ve done to ourselves since 911. Started on “The Rise and Fall of the Third Reich.”

What are your current projects?

Finishing a thriller novel, writing a comic book based on my first horror novel, “Into the Basement,” and working on an advanced degree on cyber-genetics...oh you are not buying that last part? hahahahahaha

Do you see writing as a career?

Yeah I do. When I first started writing I was thrilled when someone bought one my books. Now I’m collecting a monthly paycheck so the trend keeps going in the right direction every month. I’d like to think that this will become my full-time career when I retire from consulting.

If you had to do it all over again, would you change anything in your latest book?

Not in my latest book. But I should have done a sequel of my first novel;“Into the Basement.” It sells very well particularly on AmazonUK where it’s:

 #1 for graphic>horror and in the top #15 for Fiction>horror>thrillers.

Is there anything you find particularly challenging in your writing?

Oh yeah, finding time to write. I travel every week as a consultant and writing on planes is where I do my best work, I’m isolated with no interference.

Who is your favorite author and what is it that really strikes you about their work?

I don’t have a favorite author, there is a lot I like, David Hagberg, Lee Child and James Patterson but I’m all over the place with what I read, fiction and non-fiction.

Which of your books is your favorite and why?

It always seems to be the current book I’m working on, although I like the writing style in did for “Shockwave.” It’s a crisp, short staccato style like Lee Child, reads very fast.

Did you learn anything from writing your books and what was it?

I’ve been a musician, mailman, an electrician, truck driver, hypnotists, sales rep, office manager, gym manager and consultant. Writing was the only discipline where I looked at my true feelings and understood a little more of who I am. I call it a cleansing experience.

Do you have any advice for other writers?

An author friend of mine asked for some help. Her question was: how do you market books?

1). Editing! Pay an editor! Quality is important. Here’s the name of the person I used on my last book, SHOCKWAVE. She’s not free...For me she was worth it. I’m going to work with her again on my next book.

Deborah Levinson, she a friend of mine on my Facebook site. She is good.
2). Cover work! check out the cover for Shockwave, my thriller and short story Jumpers. Nice work... Contact James Rone at jameron713@gmail.com tell him I sent you. He’s an art student in Phoenix. 3). Use Amazon...they are the largest book distributor in the world.
Amazon Kindle for ebook. Look up Kindle Direct Publishing.

4). Product Description: I looked at a pile of book descriptions on Amazon. I believe what I’ve done works. I combined what I liked from a number of successful authors. Look up my books on Amazon and you’ll see the description I use. Lots of stuff for people to read...

5). Price...the ebook price for a new book is $2.99 your older stuff $0.99. However you might consider starting at the $0.99 price point. I know it’s cheap but that seems to be the market, check out authors on Amazon not the big names, the indie authors. HEADS-UP - This may be shifting. Some authors are raising their ebook price to find the sweet spot, the right number of sales at the maximum price to generate the most profit. Remember, at $2.99 on Amazon you get 70%. At $0.99 it’s only 35%.

6). Go to Smashwords and format your ebook yourself from their guidelines. They have the best outline for formatting an ebook and publish on Smashwords. That gets your book into Apple’s iPad, B&N. Sony. Diesel and Kobo...

7). Start a blog, use Twitter, Facebook, Goodreads and any other sites you have time to post stuff on. ...that was a lot of stuff...hope it helps.

I live in Sarasota, and I write thrillers, horror and paranormal books. My Into the Basement, novel is about abduction, torture and murder. I also wrote Blood Bar, which is about vampires and a different kind of club. Into the Spell, is a hypnosis paranormal thriller, you know, the dark side of the occult.

My latest vampire book is First To Die, an adventure not for vegetarians. It’s a bit more violent and juicy than my other books, but there is a sliver of breathing room. Expect a lot of violence, knives, pain, carve in, carve out. My Kim Bennett is a bent woman.

Last year I released my first thriller: Shockwave (see below). A sequel will be out by May.

I’m also a Mac Fanatic. Smooth Jazz enthusiast. Drummer. Horror Movie Fan.

Check out two of Norm’s Books:


Into the Basement (THIS BOOK IS FOR ADULTS!)

In San Francisco, women are disappearing. Three detectives pull Kim Bennett into the game. The hunt for a killer. She goes missing!

This is a raw dark story of sadistic people tha pits Kim’s physical and mental agility against one of the fastest rising crimes in America, sexual slavery.

Shockwave

Jack Dwyer is observant. Sitting at Starbucks he watches a van come to a stop. A nervous guy gets out, looks around, seems strange. Dwyer watches him. The guy crosses the street. Dwyer realizes the guy’s staring at a pretty woman, Kelly Paul. Dwyer makes eye contact with her. Dwyer looks left, right, reacts, moves fast, pushes her down, saves her but the bomb explodes. People are killed. She goes missing and Dwyer is the suspect.

Attention writers: 100 Words for Facial Expressions

Here's an excellent list of names to explain to your readers what you are saying about someone's facial expression. How many times to you use the same words? Well, spice it up, keep it interesting:

1. Absent: preoccupied 2. Agonized: as if in pain or tormented 3. Alluring: attractive, in the sense of arousing desire 4. Appealing: attractive, in the sense of encouraging goodwill and/or interest 5. Beatific: see blissful 6. Bilious: ill-natured 7. Black: angry or sad, or see hostile 8. Bleak: see grim and hopeless 9. Blinking: surprise, or lack of concern 10. Blissful: showing a state of happiness or divine contentment 11. Blithe: carefree, lighthearted, or heedlessly indifferent 12. Brooding: see anxious and gloomy 13. Bug eyed: frightened or surprised 14. Chagrined: humiliated or disappointed 15. Cheeky: cocky, insolent 16. Cheerless: sad 17. Choleric: hot-tempered, irate 18. Coy: flirtily playful, or evasive 19. Crestfallen: see despondent 20. Darkly: with depressed or malevolent feelings 21. Deadpan: expressionless, to conceal emotion or heighten humor 22. Dejected: see despondent 23. Derisive: see sardonic 24. Despondent: depressed or discouraged 25. Doleful: sad or afflicted 26. Dour: stern or obstinate; see also despondent 27. Downcast: see despondent 28. Dreamy: distracted by daydreaming or fantasizing 29. Ecstatic: delighted or entranced 30. Etched: see fixed 31. Faint: cowardly, weak, or barely perceptible 32. Fixed: concentrated or immobile 33. Furtive: stealthy 34. Gazing: staring intently 35. Glancing: staring briefly as if curious but evasive 36. Glaring: see hostile 37. Glazed: expressionless due to fatigue or confusion 38. Gloomy: see despondent and sullen 39. Glowering: annoyed or angry 40. Glowing: see radiant 41. Grim: see despondent; also, fatalistic or pessimistic 42. Grave: serious, expressing emotion due to loss or sadness 43. Haunted: frightened, worried, or guilty 44. Hopeless: depressed by a lack of encouragement or optimism 45. Hostile: aggressively angry, intimidating, or resistant 46. Hunted: tense as if worried about pursuit 47. Impassive: see deadpan 48. Inscrutable: mysterious, unreadable 49. Jeering: insulting or mocking 50. Languid: lazy or weak 51. Leering: see meaningful; also, sexually suggestive 52. Meaningful: to convey an implicit connotation or shared secret 53. Mild: easygoing 54. Mischievous: annoyingly or maliciously playful 55. Moody: see sullen 56. Pained: affected with discomfort or pain 57. Pallid: see wan 58. Peering: with curiosity or suspicion 59. Peeved: annoyed 60. Petulant: see cheeky and peeved 61. Pitying: sympathetic 62. Pleading: seeking apology or assistance 63. Pouting: see sullen 64. Quizzical: questioning or confused 65. Radiant: bright, happy 66. Roguish: see mischievous 67. Sanguine: bloodthirsty, confident 68. Sardonic: mocking 69. Scornful: contemptuous or mocking 70. Scowling: displeased or threatening 71. Searching: curious or suspicious 72. Set: see fixed 73. Shamefaced: ashamed or bashful 74. Slack-jawed: dumbfounded or surprised 75. Sly: cunning; see also furtive and mischievous 76. Snarling: surly 77. Sneering: see scornful 78. Somber: see grave 79. Sour: unpleasant 80. Stolid: inexpressive 81. Straight-faced: see deadpan 82. Sulky: see sullen 83. Sullen: resentful 84. Taunting: see jeering 85. Taut: high-strung 86. Tense: see taut 87. Tight: see pained and taut 88. Unblinking: see fixed 89. Vacant: blank or stupid looking 90. Veiled: see inscrutable 91. Wan: pale, sickly; see also faint 92. Wary: cautious or cunning 93. Wide eyed: frightened or surprised 94. Wild eyed: excited, frightened, or stressful 95. Wistful: yearning or sadly thoughtful 96. Withering: devastating; see also wrathful 97. Woeful: full of grief or lamentation 98. Wolfish: see leering and mischievous 99. Wrathful: indignant or vengeful 100. Wry: twisted or crooked to express cleverness or a dark or ironic feeling Author Norm Applegate: Into the Basement Shockwave

7 Writing tips! Powerful effects you can use now!

If you've been following my blog you know I post writing tips. That is mixed in between all the horror thriller suspense book stuff. Oh yeah, some film and movie stuff too. What I've posted below is really cool. These are some excellent tips for adding motion to your writing. 


The following rhetorical tools enrich writing by eliciting a primal emotional response in readers:

1. Alliteration

Alliteration, the pattern of two or more words within a phrase or sentence that begin with the same sound, is an effective form of emphasis that adds lyricism to even straightforward prose and influences the mood.
Alliteration can be delivered in consecutive words: “They have served tour after tour of duty in distant, different, and difficult places.” Or it can recur with gaps of one or more nonalliterative words: “Squaring our performances with our promises, we will proceed to the fulfillment of the party’s mission.”

2. Assonance

Assonance, akin to alliteration, is the repetition of vowel sounds in a phrase or a longer passage: “The clamor of the band addled them.”

3. Consonance

As the name implies, consonance refers to repetition of consonants — specifically, those at the ends of words: “Their maid has spread the word of their deed.”

4. Onomatopoeia

This term refers to words that are sound effects, indicative of their meaning or otherwise imitative of sounds: “A splash disturbed the hush of the droning afternoon.”

5. Repetition

Repetition is the repeating of a word or phrase to produce a pattern or structure that strengthens the cumulative effect of a passage: “When I find you, I will catch you. When I catch you, I will cook you. When I cook you, I will eat you.”

6. Rhyme

Rhyme, the matching of identical or similar word endings in sentences of prose or lines of poetry, needn’t be limited to lyrical contexts: “If it doesn’t fit, you must acquit.”

7. Rhythm

Rhythm, the deliberate manipulation of syllabic patterns in a passage, like rhyme, should not be consigned solely to poetry: “The eager coursing of the strident hounds and the sudden pursuit of the mounted men drove the bounding prey ever on.”
When employing one or more of these techniques in your writing, keep these points in mind:

• Be sure they have intrinsic value to the content and do not simply showcase your cleverness. Employ them in moderation, and be true to your voice and the tone of your writing.
• In serious expository prose, no more than one or two instances will help readers retain important information or strengthen a memorable conclusion. A more casual, lighthearted essay can afford a few more tricks, especially as mnemonic devices. A humorous piece allows you to be more indulgent, but an excess of use can quickly become wearisome and counterproductive.
• Study the masters, take note of their restraint and originality, and use those lessons as points of inspiration for your own applications of these techniques.

Author of:

Into the Basement

First to Die

Source for the article: Dailywritingtips